Theresa Manchester – Canon 5D Mark III + EF 70-200mm f/2.8L IS II USM
This past weekend welcomed another addition to my ongoing Tattoo Series – Curators of Art. For this photo shoot I had the pleasure of working with model and world traveler Theresa Manchester. She was a great subject to work with. Aside from a her beauty and considerable collection of body art, she came with quite a bit of experience in front of the camera. She also spends some of her spare time behind the camera. This all made for a great productive session as I was able to quickly and easily communicate and direct her throughout the shoot while she shared her many exploits around the world – some in places I have been myself. It was great to work with you Theresa. I certainly hope we get to collaborate again someday.
For this shoot I kept it fairly simple and spartan as I typically do. I used the the Canon 5D Mark III. I started off with the EF 24-105mm f/4L but quickly switched to the EF 70-200mm f/2.8L IS II once we got into the rhythm of things. For lighting, I used two Canon 430EX speedlites in manual mode with Photix high speed sync RF triggers. I shot full manual the whole time for precise control of the camera, lighting and desired effect. The location was my private home studio. Key shots will make it into my limited edition collection prints from my Tattoo Series. Few will ever be published, however I felt I should at least share one (above). Below are a few behind the scenes shots. For BTS coverage I used the Canon 7D Mark II and EF-S 17-55mm f/2.8 IS USM on a tripod. I used the built-in intervalometer to trigger the camera periodically throughout most of the shoot.
Charis on the tracks – 5D Mark III + Canon EF 300mm f/2.8L IS II USM
A few weeks ago I was wrapping up my evaluation of the Canon EF 300mm f/2.8L IS II USM super telephoto lens. Just like the Canon EF 400mm f/2.8L IS II USM I had evaluated a few weeks earlier (see my post Fashion: Winnie Stackz Collection), the folks at Canon USA were kind enough to send me a copy for review. This is the second in a series of posts in which I will be discussing my observations and results of my evaluation. I had one last item to cross off my evaluation list and that was to run it through at least one photo shoot with a human subject aka model.
This lens is nothing short of spectacular. The EF 300mm f/2.8L IS II USM and the EF 400mm f/2.8L IS II USM are in a league of their own. They both represent the pinnacle of lens technology and the very best of the best money can buy. They are both uncompromising pieces of precision gear. The EF 300mm f/2.8L IS II USM was perfect for, if not more at home with the task of fashion/model/portrait photography. The resulting images required no editing whatsoever. The clarity, sharpness and contrast were on point. Perhaps this lens’ strong suit is how well it performs wide open at f/2.8, affording shutter speeds that will stop any kind of shake. The amazing IS was almost unnecessary in daylight. The depth of field is very well defined, none too shallow (perfect), but what sets both lenses apart was how graceful the fall-off is and sublime transition to creamy bokeh. I will be writing more on this soon and which lens won my shoot-out.
Canon 5D Mark III + EF 300mm f/2.8L IS II USM
Charis was gracious enough to volunteer. I have photographed Charis before and posted about it in 2015 Sacramento Fashion Week and in Retrospect Vintage Fashion exhibit at Demin Spot. She has a look I always found intriguing, is an all around great person to collaborate with. Beautiful inside and out. New for this shoot was our hair and makeup artist Nicole Matta. This was a last minute shoot and she was a breeze to work with given my time and scheduling constraints. What I like most about her work is her execution – clean, seamless, and picture ready – which means much less work in post processing. My good friend and fellow photographer Steve Phang also partnered with me for this shoot to assist me in making the most of this opportunity. I have often drawn creative inspiration from him over the years, over numerous photo excursions and assignments.
Below are some behind the scenes shots to give you some insight into what it entailed. In all it was a very productive afternoon. I hope you enjoy and please feel free to share any thoughts, questions or ideas you may have.
Jin in Vintage Versace look by Retrospect Vintage Fashion
Earlier this month I had the pleasure of doing a creative photo shoot with Jin. I posted a little about it in Valentines day photo shoot with Jin. Capturing this Vintage Versace look was the main objective of that photo shoot. The entire look and styling was put together by Hanna Be of Retrospect Vintage Fashion. Definitely check out her one-of-a-kind outfits she puts together. I’ve covered her work previously here: Retrospect Vintage Fashion exhibit at Demin Spot
There is something about this ensemble that just inspired me to photograph it and since last fall I had been casually looking for the perfect subject to model it for me. Enter Jin. We got some good shots and I think at least one of them will make it to limited edition print. It was a great creative exercise.
For the photographer in you: this shoot was done with the Canon 5D Mark III. Both the EF 24-105mm f/4 IS USM and EF 70-200mm f/2.8 IS II USM lenses were used. For lighting I used two Canon 430EX speedlights.